Takeaways from Friday’s masterclass

On Friday, I hosted a masterclass featuring conductor Richard Carsey, who worked with 7 singers on musical theater repertoire. Some students were pre-professionals who want to pursue musical theater. One was an avocational performer in her local community theater companies. Two more were professionals, one experienced in musical theater, the other making a decision toContinue reading “Takeaways from Friday’s masterclass”

What ISN’T a masterclass?

Even before the pandemic, there have been a lot of posts and ads about masterclasses and why you should take them. Famous people have been offering masterclasses on acting, writing, comedy, singing (some with stronger credentials than others) and people have been signing up for them and saying, “TAKE MY MONEY.” But what isn’t aContinue reading “What ISN’T a masterclass?”

Why I Audit

For those of you who aren’t Three Stooges fans (which I’m certainly not) or not of a certain age (which I certainly am), you may need to go and research the Three Stooges a bit in order to get this reference. You can start here. Knock yourselves out – nyuk nyuk nyuk (that’s also aContinue reading “Why I Audit”

Beyond a shadow of a doubt

The other day I was out for an early morning walk and I was listening to a podcast on VocalFri. This particular one, from April, featured voice scientist Christian Herbst, who was talking about the role of voice science in vocal pedagogy, and of all the tech-y, geeky, science-y things that that entails. But althoughContinue reading “Beyond a shadow of a doubt”

What is curiously strong singing?

For the last two years, I’ve used “Curiously Strong Singing” as my tagline. In the past year, I’ve established a performance coaching series called “Curiously Strong Performing.” The content on my website and in other places reflects the use of that phrase. But other than the relationship between mezzoid and altoids, which is what triggeredContinue reading “What is curiously strong singing?”

I learned something today…

The phrase, “I learned something today,” is one that is associated with the incredibly and self-consciously earnest sitcoms of the 1990s where there were always very special episodes. As soon as you heard that there was going to be a very special episode of a TV show, you knew that someone was about to learn a valuable lesson.Continue reading “I learned something today…”

NATS 56 – Virtually Fantastic!

Right now, I am the student learning on Zoom, instead of the teacher. I’ve been consumed with the National Association of Teachers of Singing (NATS) 56th National Conference since Thursday. The conference was supposed to be in Knoxville, TN, but Corona…. The conferences are always things I look forward to – I’ve only missed 2Continue reading “NATS 56 – Virtually Fantastic!”

June Practice Challenge (Mine, Not Yours)

I’ve been seeing a lot of my colleagues set themselves a goal of singing through the entire 24 or 26 or 28 Italian Songs collection. They’ve taught them ad infinitum over the years, but they’ve never actually sung them themselves. So, in this time of respite from performing and in-person teaching, they’re recording themselves singingContinue reading “June Practice Challenge (Mine, Not Yours)”

Why I DIDN’T Sing – For Far Too Long

When I lived in Wisconsin, I spent about 8 years in a sort of vocal quarantine. I suddenly found my private studio taking up more of my time and energy, and I chose to stop seeking work in Chicago, where I’d been doing the bulk of my singing, and reduced my performing with professional choralContinue reading “Why I DIDN’T Sing – For Far Too Long”

Making Your Case in Auditions

Seth Godin wrote a blog a few weeks ago about the conventional wisdom of making your case vs. how it actually works. This was from a business/marketing perspective, but when I read this, I thought, “Wow, this could apply to auditioning!” My notes are in brackets. Conventional wisdom: Find a large group of people [audition forContinue reading “Making Your Case in Auditions”