Performance Success Profile, Take Two

After cleaning out files the other day, I discovered a performance success survey that I took in 2002. This was a bad time for me, performance-wise. Although I should’ve been at the top of my game, vocally, I was having a lot of performance anxiety that was really holding me back. And my scores on the survey reflected the areas where I was having the most difficulty. I posted about this the other day.

My primary issues back then were focus, and, to a lesser extent, self-confidence.

I went to take the test again. The website has been tweaked a bit – it had been dongreene.com, after the author of the book Performance Success. It is now winningonstage.com, “dedicated to performing artists striving for excellence.” There are a variety of tools dedicated to achieving this goal, and the quiz that I took all those years ago was on there, linked to the book. So I took the test again. I paid for it this time (maybe I could’ve found the code in the book and gotten it for free, but I figured I could afford the $19). I wanted to see if I’ve improved.

I’m not sure if the test was exactly the same as it was back then, but I took it and I’m pleased to say that I scored much better than back then. My high scores (70+) were in:

  1. Determination (81)
  2. Mental Outlook (70)
  3. Emotional Approach (80)
  4. Resilience (81)

I didn’t really have any low scores (low was below 20-44). The areas that were in the mid-range were:

  1. Poise (68)
  2. Controlling Attention (63)
  3. Concentration (56)

The latter two are still related to focus. Controlling attention is a question of mental quiet. While I could focus on an object and not get distracted, that little nagging voice (which has an accent – I can’t imagine why) still wants to say, “You’re not doing this right. Oops, that was wrong.” As far as concentrating, my presence and intensity of focus were much higher but the duration of focus (SQUIRREL!) was less so. Probably because of said nagging voice.

Is this because I’m a Gemini? Do I have adult ADHD? What can I do about this? According to the profile, I should go back and review pp. 79-85 in Performance Success.

And I probably will, later today. But first….

Published by Mezzoid Voice Studio

Christine Thomas-O'Meally, a mezzo soprano and voice teacher currently based in the Baltimore-DC area, has performed everything from the motets of J.S. Bach to the melodies of Irving Berlin to the minimalism of Philip Glass. As an opera singer and actress, she has appeared with companies such as Charm City Players, Spotlighters Theatre, Chicago Opera Theater, Opera Theater of Northern Virginia, Opera North, the Washington Savoyards, In Tandem Theatre, Windfall Theater, The Young Victorian Theater of Baltimore, and Skylight Opera Theatre. She created the role of The Woman in Red in Dominick Argento’s Dream of Valentino in its world premiere with the Washington Opera and Mary Pickersgill in O'er the Ramparts at its world premiere during the Bicentennial of Battle of Baltimore at the Community College of Baltimore County. Other roles include Mrs. Paroo in Music Man, Mother Abbess in Sound of Music, Dorabella in Cosi Fan Tutte, Marcellina in Le Nozze di Figaro, both Hansel and the Witch in Hansel & Gretel, and many roles in Gilbert & Sullivan operettas. Her performance as the Housekeeper in Man of La Mancha was honored with a WATCH award nomination. Ms. Thomas-O'Meally received an M.M. in vocal performance from the Peabody Conservatory in Baltimore. She regularly attends master classes and workshops in both performance and vocal pedagogy, and is certified in all three Levels of Somatic Voicework™ The LoVetri Method. Her students have performed on national and international tours of Broadway productions, at prestigious conservatories, and in regional theater throughout the country.

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