What If You Were Your Own Teacher….

I just read the phrase, “as if they were their own teacher” on a FB page of independent teachers, in regards to how a student would do self-evaluation, including:

  • Finding three things they did well
  • Finding a couple of things they’d like to fix
  • Figuring out how to fix them
This was based on the idea of submitting a video to a teacher in the event that you were unable to make your lesson that week. The teacher would then review the practice video and give his/her own observations and suggestions. I thought this was a really great option. I’m thinking of making this an option in the fall.
So here’s a challenge for you this summer:

  • Video your practice session (you can use your phone) as if it were a lesson. Include:
    • Vocalises
    • Repertoire
      • Do each song all the way through without stopping
      • Stop and address the issues you need to address
  • Watch the session – either afterwards, or stop after vocalises
  • Evaluate it
    • Were your vocalises varied enough? 
    • Did you vocalize long enough?
    • Were the things you stopped and addressed the things you should have stopped and addressed? Did you leave anything out?
    • What did you do well? (There must have been something.)
    • What do you need to address the next time you practice? How are you going to address this? When?
    • Is there anything you noticed that you need to ask me about?
I’m going to try to do this too. Let’s see what happens.

Published by Mezzoid Voice Studio

Christine Thomas-O'Meally, a mezzo soprano and voice teacher currently based in the Baltimore-DC area, has performed everything from the motets of J.S. Bach to the melodies of Irving Berlin to the minimalism of Philip Glass. As an opera singer and actress, she has appeared with companies such as Charm City Players, Spotlighters Theatre, Chicago Opera Theater, Opera Theater of Northern Virginia, Opera North, the Washington Savoyards, In Tandem Theatre, Windfall Theater, The Young Victorian Theater of Baltimore, and Skylight Opera Theatre. She created the role of The Woman in Red in Dominick Argento’s Dream of Valentino in its world premiere with the Washington Opera and Mary Pickersgill in O'er the Ramparts at its world premiere during the Bicentennial of Battle of Baltimore at the Community College of Baltimore County. Other roles include Mrs. Paroo in Music Man, Mother Abbess in Sound of Music, Dorabella in Cosi Fan Tutte, Marcellina in Le Nozze di Figaro, both Hansel and the Witch in Hansel & Gretel, and many roles in Gilbert & Sullivan operettas. Her performance as the Housekeeper in Man of La Mancha was honored with a WATCH award nomination. Ms. Thomas-O'Meally received an M.M. in vocal performance from the Peabody Conservatory in Baltimore. She regularly attends master classes and workshops in both performance and vocal pedagogy, and is certified in all three Levels of Somatic Voicework™ The LoVetri Method. Her students have performed on national and international tours of Broadway productions, at prestigious conservatories, and in regional theater throughout the country.

What do you think?