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Strength, Softness, and Wildness – Becoming a Curiously Strong Performer

I was going through some emails in the Somatic Voicework™ The LoVetri Method forum today and someone made a reference to a Brené Brown quote: “Strong Backs, Soft Fronts, and Wild Hearts.” That intrigued me, because I’ve always been a fan of Brené Brown, and I find her choice of pithy phrases to be inspirational.Continue reading “Strength, Softness, and Wildness – Becoming a Curiously Strong Performer”

Choosing Authentic Repertoire

I have several rising seniors who will be auditioning for college in the upcoming year, as well as younger students who will be considering this as well in the not-too-distant future. The most important thing we need to do in the next few weeks is to select repertoire for their auditions. Specifically, repertoire that showsContinue reading “Choosing Authentic Repertoire”

Go with the flow

I’ve been doing some thinking about the concept of flow. Yesterday and today, I spent a great deal of time working on tax prep, and at one point, I realized I had forgotten to eat. That is something incomprehensible to me. I can function just fine on lack of sleep, but if I don’t getContinue reading “Go with the flow”

Make a Fool of Yourself!

Today I attended a masterclass hosted by Susan Hanlon, a voice teacher in Dallas, and Izzie Baumann, a voice teacher and performance coach in Mainz, Germany. The clinician was Christian Borle, Broadway star and Tony award winner (Peter and the Starcatcher, Something Rotten). He worked with six singers from the US to Germany. He wasContinue reading “Make a Fool of Yourself!”

What ISN’T a masterclass?

Even before the pandemic, there have been a lot of posts and ads about masterclasses and why you should take them. Famous people have been offering masterclasses on acting, writing, comedy, singing (some with stronger credentials than others) and people have been signing up for them and saying, “TAKE MY MONEY.” But what isn’t aContinue reading “What ISN’T a masterclass?”

Why I Audit

For those of you who aren’t Three Stooges fans (which I’m certainly not) or not of a certain age (which I certainly am), you may need to go and research the Three Stooges a bit in order to get this reference. You can start here. Knock yourselves out – nyuk nyuk nyuk (that’s also aContinue reading “Why I Audit”

Avoiding FOBO

I can hear you know: “FOBO? Christine, don’t you mean FOMO?” Nope. Today I was puppy-walking and listening to a new podcast called Money Girl (which I may or may not listen to again because the host has a  wicked case of vocal fry that makes my skin crawl – not to be confused withContinue reading “Avoiding FOBO”

What is curiously strong singing?

For the last two years, I’ve used “Curiously Strong Singing” as my tagline. In the past year, I’ve established a performance coaching series called “Curiously Strong Performing.” The content on my website and in other places reflects the use of that phrase. But other than the relationship between mezzoid and altoids, which is what triggeredContinue reading “What is curiously strong singing?”

Curiously Stronger Performing

It is my passion to help people perform to their highest level. To interpret music in a way that realizes the intent of the composer and lyricist while still maintaining a connection to the artist performing it. To re-create old material to have a fresher feeling and to be able to play with it. IfContinue reading “Curiously Stronger Performing”

What if I had just stayed “comfortable”?

If I never did anything new, I’d still be: Working at Fleet Mortgage Corp. as a customer service rep Living in Waukesha in a townhouse I didn’t really want to buy in the first place with my first husband Singing in the Florentine Opera chorus Dreaming of doing more with my life I wouldn’t have:Continue reading “What if I had just stayed “comfortable”?”