Golden Age musicals are NOT going away. Even if things have changed and some of the themes are problematic, they still have much to offer, vocally and dramatically.
In preparation for the upcoming “Finding the Emotional Truth in Golden Age Theater Songs” masterclass with James Valcq on September 2, I thought it was a good time to revisit this blogpost from two years ago. (New additions in brackets] I hear this way too often from people: “Why should I sing golden age music?Continue reading “Revisiting the Why of Golden Age Musicals”
It’s 4 weeks till Back To Whatever (aka B2W) and I’d like to take this opportunity to work backwards through the three-day extravaganza and have you meet Thursday’s masterclinician, James Valcq! James is best known as the composer of the Off-Broadway musical The Spitfire Grill (Playwrights Horizons, 2001), which won the Richard Rodgers Production AwardContinue reading “B2W – Meet James Valcq!”
Awhile back there was a Facebook group called, “There’s more to musical theater than just Wicked, Phantom, and Les Mis.” That was about ten years ago. I think nowadays it’d be “… Hamilton, Dear Evan Hanson, and … still Phantom.” There’s a lot more out there. A lot. So – since we’re all sitting at home,Continue reading “May Musical Challenge!”
I was reading a FB post on a teacher group where someone had mentioned that their student was recording some repertoire that was wildly age-inappropriate, both lyrically and vocally. This was repertoire that the parent had chosen but that they wanted help on from the teacher. I don’t teach pop. It’s not that I feelContinue reading “Why I don’t teach pop – usually”
I hear this way too often from people: “Why should I sing golden age music? It’s so old-fashioned! I don’t know any of it.” Technique. Today’s musicals tend to be very text-driven, and aren’t necessarily vehicles for mastering things like legato and breath management. (And that doesn’t make them less than, just different.) Revivals areContinue reading “Golden age musicals – why you should bother”