Awhile back there was a Facebook group called, “There’s more to musical theater than just Wicked, Phantom, and Les Mis.” That was about ten years ago. I think nowadays it’d be “… Hamilton, Dear Evan Hanson, and … still Phantom.” There’s a lot more out there. A lot.
So – since we’re all sitting at home, let’s listen to musicals!
- 31 days, 31 shows – ones that are “new to you”
- Rate them from 1-5
- No year repeats!
If you’re a student of mine (or you just want to participate, feel free, but you won’t get a prize if you’re not), feel free to complete this form, either on this website or use this fillable PDF: May Musical Challenge_ 31 Musicals in 31 Days! and discover what’s out there.
NB: This was going to be the Tony-award winning Best Musicals from 1988-2020, but there were a lot of lame musicals in the early 1990s. So – you have 80 years. I’m going to do it, too. I know a lot of musicals, but not all of them.
If you’re in my studio, there’s a prize for the person who listens to the most musicals – which my students know about.
If you’re not – well, why not?
We start May 1.
I was reading a FB post on a teacher group where someone had mentioned that their student was recording some repertoire that was wildly age-inappropriate, both lyrically and vocally. This was repertoire that the parent had chosen but that they wanted help on from the teacher.
I don’t teach pop. It’s not that I feel that classical music or Golden Age musical theater is the “one true way” to develop vocal technique. It’s not that I don’t like pop music. I love Lady Gaga, John Legend, Bruno Mars, Katy Perry, Lizzo…. But I feel like contemporary pop music is so artist-driven, and written for the particular range and style of an individual singer, rather than for the masses. And often, the lyrics are more adult-themed than I think a middle school student should be singing (this also happens with musical theater for that matter – I had an 11 year old whose mom wanted her to sing “Mama, who bore me” from Spring Awakening because Lea Michele sang it and she liked her on Glee; I had to explain what the show was about and then she agreed with me that no, it was not a good audition piece for show choir).
I like finding what’s right for a student based on who they are at this point in their vocal journey, and what’s going to take them to the next level. And my comfort zone is musical theater (both contemporary and Golden Age) and classical. I’ll also use Great American Songbook rep and folk songs, but rarely will I use contemporary (post-2000) pop unless I find something that I think will suit someone. I can’t remember the last time that happened. And especially not with a new student.
A few exceptions:
- Contemporary musical theater – it’s pretty pop-y, but I still feel like it’s not as limited as far as singability as commercial pop music.
- Jukebox musicals – if you’re auditioning for Rock of Ages, you’re not going to sing “Oh what a beautiful morning” for the audition, so we’ll need to find something with a harder edge.
- You’ve been with me awhile and you have something to sing for a school event and you’re having trouble with it. In which case, I need:
- Sheet music or at least a lead sheet with guitar chords. This should be in the right key for you, not necessarily the key in which it’s written.
- An accompaniment track so I can hear what it’s supposed to sound like.
- A recording of it in advance so I know what I’m getting into.
Again, not teaching pop is not about me not liking pop music or wanting to impose my musical tastes on you. It’s the best way I know for the studio to serve you, based on my skill set and my experience. Pop music, even though I’m certified in contemporary commercial music pedagogy, is not in my superpower wheelhouse (that’s an upcoming blog, BTW). So if you really, really want to sing pop music and only pop music – then I’m not the right teacher for you. In which case, Godspeed, and I’ll help you find the right teacher if I can.