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Revisiting the Why of Golden Age Musicals

In preparation for the upcoming “Finding the Emotional Truth in Golden Age Theater Songs” masterclass with James Valcq on September 2, I thought it was a good time to revisit this blogpost from two years ago. (New additions in brackets] I hear this way too often from people: “Why should I sing golden age music?Continue reading “Revisiting the Why of Golden Age Musicals”

B2W – Meet James Valcq!

It’s 4 weeks till Back To Whatever (aka B2W) and I’d like to take this opportunity to work backwards through the three-day extravaganza and have you meet Thursday’s masterclinician, James Valcq! James is best known as the composer of the Off-Broadway musical The Spitfire Grill (Playwrights Horizons, 2001), which won the Richard Rodgers Production AwardContinue reading “B2W – Meet James Valcq!”

What the Actual…

The word fach sounds like a bad word. It is a German word meaning “compartment” and is used in opera to describe particular voice types, often in incredibly specific detail. There’s: soubrette lyric soprano light lyric soprano full lyric soprano lyric coloratura soprano lyrico-spinto soprano dramatic soprano drammatico-spinto soprano helden soprano heldensoubrette (okay, that one wasContinue reading “What the Actual…”

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