July 17 Master Class with Lissa deGuzman

Lissa deGuzman InstaPost

I am so excited to announce the first of which I hope will be many masterclasses featuring former students of mine who have gone on to thrive as working artists.

Our first artist/clinician is Lissa deGuzman, who can both belt her face off and soar to the heights of soprano-land. When she studied with me in Milwaukee, she performed not only Lily in The Secret Garden at Divine Savior Holy Angels, but Gertrude in Seussical (also DSHA) as well. A true triple-threat, Lissa has also been dance captain for multiple productions. Since completing her BFA in musical theater at Belmont University in Nashville, she has gone on to work steadily in regional theater, national tours, and on Broadway.

This is the bio she just sent me:

Lissa deGuzman just finished the run of a new Broadway bound musical Bliss at the 5th Avenue Theatre in Seattle, WA. Sadly, COVID-19 interrupted her next new musical’s Off-Broadway debut, Between the Lines, but she can’t wait to get back. Other credits include: Broadway: King Kong. National Tour: Aladdin. Regional: West Side Story, Fiddler on the Roof and Chasing Rainbows. @lissadeguz

Lissa’s masterclass will begin with a brief talk about her career path, after which she will work with 8 singers on addressing the acting journey and how it informs vocal colors and technique. Each singer will present a song or excerpt of 90 seconds or less. A Q&A will follow. I have room for 5 more performers and up to 42 auditors. You can check here for more information and to register.

Meanwhile, here’s a recording Lissa made while she was still in college, and one I use often to demonstrate to people how to use belt, mix, and head voice interchangeably as tools of expression. Enjoy!

Spectral Audio Visual · Get Out and Stay Out – Lissa DeGuzman

 

2020 – A new vision

Today is the first day of a new decade. The last decade began with me recovering from laser eye surgery – not LASIK, but something much more traumatic. My vision, pre-surgery, had been quite horrible – approximately 20/800. Meaning I couldn’t see my hand clearly if it was in front of my face. It took a few weeks to get to a place where I could function, and even then, my vision wasn’t perfect; probably about 20/35, which is within the range to function without correction. It was a heady experience – to wake up and see the clock across the room and be able to read the numbers instead of it being a red blur. I wish I’d done it sooner.

I feel as though that was the beginning of my eyes being opened in many ways – that year, I decided to run a 5K (up to that point, the only thing I’d ever run for was the bus). I switched from PC to Mac. I bought my dream car, after settling for a practical car in the past.

And in the two years after that, I decided to work on my own voice and wound up singing on the Hal Leonard Publishers Showcase at the NATS 2012 Conference – which changed my life. People told me that I still had something to offer as a singer – and I told my husband that I wanted to move back to the East Coast. And in 2013, I did.

My East Coast performing career has gone from community theater (something I pooh-poohed in Milwaukee) to professional solo gigs (choral and cabaret) to Washington National Opera chorister. My teaching has gone from dabblers to community theater performers to budding young professionals.  All of whom are valuable to me, in different ways.

Today is 2020. It is the beginning of a new decade. 20/20 is the symbol of clarity and seeing things for what they are. And what I’m clear about is that I want to help people perform and communicate.

This year will be the year for people to explore a variety of performances. How to audition effectively. How to communicate in languages they might not understand. How to create personal musical theater through cabaret. How to re-create a piece that you might be tired of or that you might consider old-fashioned. And I have more ideas about future workshops.

Whether you do this through your lessons, through the Curiously Strong Performing Workshops, through NATS auditions, solo-ensemble, or performing in school or community theaters – that’s up to you. Open your eyes, open your mind – see what is ahead for you. Make this decade matter.

2020 Word: Recreate

It’s become very trendy to announce that one word is going to set the intention for the year. My word last year was “Release,” and I did release a few things – my job at HCC, my fear of changing up the way I ran my private studio, and relationships that didn’t suit me.

I decided that this year’s word is Recreate. There are two meanings for this (with this spelling), according to Merriam-Webster:

  1. Transitive verb: to give new life or freshness to: REFRESH
  2. Intransitive verb: to take recreation (i.e., to play)
    or if, you put a hyphen between the re and the create:
  3. Transitive verb: to create again, to form anew in the imagination

I want to give new life to some things, including the idea of performance, as in the upcoming Curiously Stronger Performing workshops, which will start up on January 8. I want to explore new ways to approach things. And I want to play. Both in my work and away from it.

What’s your word? How did you choose it and how will you implement it?

F5053769-5964-4162-9930-6B1FADF00B6A