Today is the first day of a new decade. The last decade began with me recovering from laser eye surgery – not LASIK, but something much more traumatic. My vision, pre-surgery, had been quite horrible – approximately 20/800. Meaning I couldn’t see my hand clearly if it was in front of my face. It took a few weeks to get to a place where I could function, and even then, my vision wasn’t perfect; probably about 20/35, which is within the range to function without correction. It was a heady experience – to wake up and see the clock across the room and be able to read the numbers instead of it being a red blur. I wish I’d done it sooner.
I feel as though that was the beginning of my eyes being opened in many ways – that year, I decided to run a 5K (up to that point, the only thing I’d ever run for was the bus). I switched from PC to Mac. I bought my dream car, after settling for a practical car in the past.
And in the two years after that, I decided to work on my own voice and wound up singing on the Hal Leonard Publishers Showcase at the NATS 2012 Conference – which changed my life. People told me that I still had something to offer as a singer – and I told my husband that I wanted to move back to the East Coast. And in 2013, I did.
My East Coast performing career has gone from community theater (something I pooh-poohed in Milwaukee) to professional solo gigs (choral and cabaret) to Washington National Opera chorister. My teaching has gone from dabblers to community theater performers to budding young professionals. All of whom are valuable to me, in different ways.
Today is 2020. It is the beginning of a new decade. 20/20 is the symbol of clarity and seeing things for what they are. And what I’m clear about is that I want to help people perform and communicate.
This year will be the year for people to explore a variety of performances. How to audition effectively. How to communicate in languages they might not understand. How to create personal musical theater through cabaret. How to re-create a piece that you might be tired of or that you might consider old-fashioned. And I have more ideas about future workshops.
Whether you do this through your lessons, through the Curiously Strong Performing Workshops, through NATS auditions, solo-ensemble, or performing in school or community theaters – that’s up to you. Open your eyes, open your mind – see what is ahead for you. Make this decade matter.