This Small Room

 

When I was growing up, I lived in a small 3 bedroom ranch house. We had one bathroom, two good sized bedrooms (although neither was particularly large) and a third bedroom which we called the small room.

Until I went to college, I had one of the bigger bedrooms and my sister (who was 8 years younger) had the small room. I commuted to college the first year and then moved to the dorms for my second and third year, coming home most weekends to work, since school was only five miles down the road.

One day during summer break, I came home from going to the Wisconsin State Fair with my friends to find that my sister had moved into my room and that all my things had been put into the small room. I wasn’t informed this would be happening, even though I still had three more weeks before school started, and as much as I protested, I was relegated to the small room for the remainder of the time I would be a resident of that house. Even when I moved back home for my senior year of college. With my stuff crammed into a small dresser that wasn’t mine, my clothes crammed into a too-small closet, and my body up against a wall in a too-small bed.

And for much of my life, I felt contained by my surroundings. I felt that I was too much for my space, for those I grew up with, and even for my family.

Once, long after I’d moved out, I had learned a new aria and was eager to sing it for my mother. After I finished it, she said, “I don’t know. Maybe it’s too loud for this small room.

She didn’t like opera. But I don’t think any room would have been big enough for her to enjoy my singing.

So many of us feel or have felt constrained by rooms that have been too small, whether it’s the actual physical space or the room in our heads, whether it’s through our own perception or that of another person. I haven’t felt that way for a long time now, thank goodness. And if you feel that way ….

Blow off the doors. Knock down the walls.

Published by Mezzoid Voice Studio

Christine Thomas-O'Meally, a mezzo soprano and voice teacher currently based in the Baltimore-DC area, has performed everything from the motets of J.S. Bach to the melodies of Irving Berlin to the minimalism of Philip Glass. As an opera singer and actress, she has appeared with companies such as Charm City Players, Spotlighters Theatre, Chicago Opera Theater, Opera Theater of Northern Virginia, Opera North, the Washington Savoyards, In Tandem Theatre, Windfall Theater, The Young Victorian Theater of Baltimore, and Skylight Opera Theatre. She created the role of The Woman in Red in Dominick Argento’s Dream of Valentino in its world premiere with the Washington Opera and Mary Pickersgill in O'er the Ramparts at its world premiere during the Bicentennial of Battle of Baltimore at the Community College of Baltimore County. Other roles include Mrs. Paroo in Music Man, Mother Abbess in Sound of Music, Dorabella in Cosi Fan Tutte, Marcellina in Le Nozze di Figaro, both Hansel and the Witch in Hansel & Gretel, and many roles in Gilbert & Sullivan operettas. Her performance as the Housekeeper in Man of La Mancha was honored with a WATCH award nomination. Ms. Thomas-O'Meally received an M.M. in vocal performance from the Peabody Conservatory in Baltimore. She regularly attends master classes and workshops in both performance and vocal pedagogy, and is certified in all three Levels of Somatic Voicework™ The LoVetri Method. Her students have performed on national and international tours of Broadway productions, at prestigious conservatories, and in regional theater throughout the country.

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