Mind the Gap


This morning’s meditation again asked me to draw attention to the momentary gap between inhalation and exhalation (and vice versa). Although I reject the concept of suspension when it comes to teaching breath management, as I have discussed before, I do understand the value of taking a moment to reflect.

In England, there is an announcement at the underground (subway) for travelers to “mind the gap.” This pertains to the space between the edge of the platform and the train.

In the phrase shown above, the late composer Truman Fisher says that “the pause is as important as the note.” This goes along with the concept that I teach – the high note is only as good as the note before it. You have to be grounded on that note in order for the one after it to be successful – and if there is no note, you have to be grounded in the rest. A musical rest can be significant for expression’s sake (much can be said when nothing is said), for grammatical purposes, or for preparation.

Sometimes I am so busy, particularly at the end of the semester (which always seems to involve academic, musical and personal commitments), that I don’t take any time to breathe. I’m hoping that my newfound commitment to daily meditation will help me identify when I can find those moments, no matter how insignificant an amount of time they may be, and use them accordingly to find the time to reflect, to refresh, and to re-engage.

This semester, I’m going to try to

Published by Mezzoid Voice Studio

Christine Thomas-O'Meally, a mezzo soprano and voice teacher currently based in the Baltimore-DC area, has performed everything from the motets of J.S. Bach to the melodies of Irving Berlin to the minimalism of Philip Glass. As an opera singer and actress, she has appeared with companies such as Charm City Players, Spotlighters Theatre, Chicago Opera Theater, Opera Theater of Northern Virginia, Opera North, the Washington Savoyards, In Tandem Theatre, Windfall Theater, The Young Victorian Theater of Baltimore, and Skylight Opera Theatre. She created the role of The Woman in Red in Dominick Argento’s Dream of Valentino in its world premiere with the Washington Opera and Mary Pickersgill in O'er the Ramparts at its world premiere during the Bicentennial of Battle of Baltimore at the Community College of Baltimore County. Other roles include Mrs. Paroo in Music Man, Mother Abbess in Sound of Music, Dorabella in Cosi Fan Tutte, Marcellina in Le Nozze di Figaro, both Hansel and the Witch in Hansel & Gretel, and many roles in Gilbert & Sullivan operettas. Her performance as the Housekeeper in Man of La Mancha was honored with a WATCH award nomination. Ms. Thomas-O'Meally received an M.M. in vocal performance from the Peabody Conservatory in Baltimore. She regularly attends master classes and workshops in both performance and vocal pedagogy, and is certified in all three Levels of Somatic Voicework™ The LoVetri Method. Her students have performed on national and international tours of Broadway productions, at prestigious conservatories, and in regional theater throughout the country.

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