Articulating your text: Could Siri understand you?

8461B1E0-155C-4E01-B562-43667B451AB3_4_5005_c.jpegOne thing I was thinking about yesterday – if I were to use voice dictation for a monologue or the text of a song I was working on, how well would Siri understand me? Would she spit back my text relatively close to how I intended it, or would it be gibberish?

It might be an interesting practice technique to try this the next time you’re working on a monologue (or song text, which you should be working as a monologue anyway) and see what happens. Will Siri (or Alexa, or “Hey Google”) pick up every word you say? If not, why not?

  • Are you dropping the end of your sentences?
  • Are you slurring words that should have more emphasis?
  • Are you talking too fast?
  • Are you hypo- or hypernasal?
  • Are you inserting “ums” and “ahs” where you shouldn’t be?

Virtual assistants are, as we all know, imperfect. Sometimes I say perfectly ordinary things that Siri has managed to interpret in wildly inappropriate renderings (and thank goodness I looked at it before I hit “send” or else I might’ve been in big trouble). But sometimes, maybe I’m talking too fast – a common issue I have – or maybe I’m not articulating clearly enough. I do tend to be a bit hyponasal, and sometimes in voice dictation, the words come out  with Ds where there should’ve been Ns.

(One word Siri always gets right, for some inexplicable reason, is “Kardashian.” Which I think might signal that the end of civilization is nigh.)

Give it a try. The results might be fascinating. Tell me about them in the comments.

Published by Mezzoid Voice Studio

Christine Thomas-O'Meally, a mezzo soprano and voice teacher currently based in the Baltimore-DC area, has performed everything from the motets of J.S. Bach to the melodies of Irving Berlin to the minimalism of Philip Glass. As an opera singer and actress, she has appeared with companies such as Charm City Players, Spotlighters Theatre, Chicago Opera Theater, Opera Theater of Northern Virginia, Opera North, the Washington Savoyards, In Tandem Theatre, Windfall Theater, The Young Victorian Theater of Baltimore, and Skylight Opera Theatre. She created the role of The Woman in Red in Dominick Argento’s Dream of Valentino in its world premiere with the Washington Opera and Mary Pickersgill in O'er the Ramparts at its world premiere during the Bicentennial of Battle of Baltimore at the Community College of Baltimore County. Other roles include Mrs. Paroo in Music Man, Mother Abbess in Sound of Music, Dorabella in Cosi Fan Tutte, Marcellina in Le Nozze di Figaro, both Hansel and the Witch in Hansel & Gretel, and many roles in Gilbert & Sullivan operettas. Her performance as the Housekeeper in Man of La Mancha was honored with a WATCH award nomination. Ms. Thomas-O'Meally received an M.M. in vocal performance from the Peabody Conservatory in Baltimore. She regularly attends master classes and workshops in both performance and vocal pedagogy, and is certified in all three Levels of Somatic Voicework™ The LoVetri Method. Her students have performed on national and international tours of Broadway productions, at prestigious conservatories, and in regional theater throughout the country.

What do you think?

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