Rules of the Studio

Okay, full disclosure – I stole this graphic from a political candidate who I admire. I’ve removed any of their identifying information to keep this blog non-partisan, but the text transcends politics and pretty much summarizes how I feel about my obligation to my students (and there’s to me and to themselves) and the role of Mezzoid Voice Studio in the community. 11989F3A-1371-4441-809E-B3898F115AA3_1_201_a.jpeg

  • All my students are expected to treat me and everyone else within the studio with respect. Including, and especially, themselves. And they should expect me to do the same.
  • The studio is a place where you should feel like you belong.
  • All my students should expect the truth from me, and I expect the truth from them. Both in our interpersonal dealings and in the stories we tell in our songs.
  • We are members of each other’s teams. We have each other’s backs.
  • We are bold! (see what I did there)
  • We are responsible.
  • Our work has substance. We have substance. We matter.
  • We practice. We study. We work. All that takes discipline. And discipline is hard.
  • We strive for excellence in everything we do.
  • We take joy in all these things. Without joy, why do it?

 

 

 

 

 

 

 

Buttigieg2020

Published by Mezzoid Voice Studio

Christine Thomas-O'Meally, a mezzo soprano and voice teacher currently based in the Baltimore-DC area, has performed everything from the motets of J.S. Bach to the melodies of Irving Berlin to the minimalism of Philip Glass. As an opera singer and actress, she has appeared with companies such as Charm City Players, Spotlighters Theatre, Chicago Opera Theater, Opera Theater of Northern Virginia, Opera North, the Washington Savoyards, In Tandem Theatre, Windfall Theater, The Young Victorian Theater of Baltimore, and Skylight Opera Theatre. She created the role of The Woman in Red in Dominick Argento’s Dream of Valentino in its world premiere with the Washington Opera and Mary Pickersgill in O'er the Ramparts at its world premiere during the Bicentennial of Battle of Baltimore at the Community College of Baltimore County. Other roles include Mrs. Paroo in Music Man, Mother Abbess in Sound of Music, Dorabella in Cosi Fan Tutte, Marcellina in Le Nozze di Figaro, both Hansel and the Witch in Hansel & Gretel, and many roles in Gilbert & Sullivan operettas. Her performance as the Housekeeper in Man of La Mancha was honored with a WATCH award nomination. Ms. Thomas-O'Meally received an M.M. in vocal performance from the Peabody Conservatory in Baltimore. She regularly attends master classes and workshops in both performance and vocal pedagogy, and is certified in all three Levels of Somatic Voicework™ The LoVetri Method. Her students have performed on national and international tours of Broadway productions, at prestigious conservatories, and in regional theater throughout the country.

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