Scattergories is a creative-thinking category-based party game originally published by Parker Brothers.
Why I Sing is a creative-thinking but currently somewhat unfocused blog currently published by Christine Thomas-O’Meally (why, that’s me!).
Recently, I established the Curiously Stronger Performing series, which focuses on specific elements of performance:
- The functional (how to present your music, how to walk into the room, how to talk to the pianist);
- The creative (selecting music, creating themes);
- The expressive (interpreting text, whether in English or another language; developing an inner monologue; physicalizing a song in the most efficient way).
And that’s what this blog needs to do. So a project I’m setting out to do over the next few months is to go through my blogposts and assign them a category.
Blogposts that are specifically about practical things like vocal technique, audition techniques, translating, and diction will go under the area of function.
Blogposts that are about finding new ways to look at things will be about creativity (and possibly about expressivity as well).
Blogposts about interpretation and physicality will be categorized under expressivity.
Announcements will either go under general or will be uncategorized.
Hopefully, this will help organize things so that they’re more easily found.
This will take awhile. Some might go under multiple things. Some of the older blogs might get reworked and updated.
Published by Mezzoid Voice Studio
Christine Thomas-O'Meally, a mezzo soprano and voice teacher currently based in the Baltimore-DC area, has performed everything from the motets of J.S. Bach to the melodies of Irving Berlin to the minimalism of Philip Glass.
As an opera singer and actress, she has appeared with companies such as Charm City Players, Spotlighters Theatre, Chicago Opera Theater, Opera Theater of Northern Virginia, Opera North, the Washington Savoyards, In Tandem Theatre, Windfall Theater, The Young Victorian Theater of Baltimore, and Skylight Opera Theatre. She created the role of The Woman in Red in Dominick Argento’s Dream of Valentino in its world premiere with the Washington Opera and Mary Pickersgill in O'er the Ramparts at its world premiere during the Bicentennial of Battle of Baltimore at the Community College of Baltimore County. Other roles include Mrs. Paroo in Music Man, Mother Abbess in Sound of Music, Dorabella in Cosi Fan Tutte, Marcellina in Le Nozze di Figaro, both Hansel and the Witch in Hansel & Gretel, and many roles in Gilbert & Sullivan operettas. Her performance as the Housekeeper in Man of La Mancha was honored with a WATCH award nomination.
Ms. Thomas-O'Meally received an M.M. in vocal performance from the Peabody Conservatory in Baltimore. She regularly attends master classes and workshops in both performance and vocal pedagogy, and is certified in all three Levels of Somatic Voicework™ The LoVetri Method. Her students have performed on national and international tours of Broadway productions, at prestigious conservatories, and in regional theater throughout the country.
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