Here are ten isolated vocal tracks
of pop singers (the link says 11, but the one of Idina Menzel has been disabled – pity).
While we all knew (I’m using the Royal We here) that Ann Wilson and Freddie Mercury were rock gods, it’s nice to know that even contemporary artists like One Direction have chops. And that Beyoncé’s voice can stand on its own. It’s heartbreaking to hear how incredible Whitney Houston had been, knowing how her voice wound up, as well as how incredible Amy Winehouse was, knowing how she wound up – and wondering if she would’ve wound up going down the same vocal path as Whitney Houston if she’d lived as long.
And it’s nice to hear isolated vocal tracks that are good, instead of ones we can poke fun at. And with that in mind, I will not post recordings of Linda McCartney or Britney Spears.
Published by Mezzoid Voice Studio
Christine Thomas-O'Meally, a mezzo soprano and voice teacher currently based in the Baltimore-DC area, has performed everything from the motets of J.S. Bach to the melodies of Irving Berlin to the minimalism of Philip Glass.
As an opera singer and actress, she has appeared with companies such as Charm City Players, Spotlighters Theatre, Chicago Opera Theater, Opera Theater of Northern Virginia, Opera North, the Washington Savoyards, In Tandem Theatre, Windfall Theater, The Young Victorian Theater of Baltimore, and Skylight Opera Theatre. She created the role of The Woman in Red in Dominick Argento’s Dream of Valentino in its world premiere with the Washington Opera and Mary Pickersgill in O'er the Ramparts at its world premiere during the Bicentennial of Battle of Baltimore at the Community College of Baltimore County. Other roles include Mrs. Paroo in Music Man, Mother Abbess in Sound of Music, Dorabella in Cosi Fan Tutte, Marcellina in Le Nozze di Figaro, both Hansel and the Witch in Hansel & Gretel, and many roles in Gilbert & Sullivan operettas. Her performance as the Housekeeper in Man of La Mancha was honored with a WATCH award nomination.
Ms. Thomas-O'Meally received an M.M. in vocal performance from the Peabody Conservatory in Baltimore. She regularly attends master classes and workshops in both performance and vocal pedagogy, and is certified in all three Levels of Somatic Voicework™ The LoVetri Method. Her students have performed on national and international tours of Broadway productions, at prestigious conservatories, and in regional theater throughout the country.
View more posts
One thought on “No Autotune Necessary”
Reblogged this on Why I sing and commented:
Going back looking at some old posts. Short but sweet.