This afternoon I am hosting a studio recital called “VIVA TO THE DIVAS!” featuring
14 13 of my students, Ryan Cappleman and myself. I was really excited about it and I still am, except my best performer just dropped out, two hours before her call.
If this happened in the “real world” (meaning theater, if you can call that a real world), a person would be fired. I organized my whole program around who had committed to perform this afternoon… some of the people are very young and/or less advanced than others, and I organized the program carefully to showcase everyone and not have anyone feel inadequate, while still making the program interesting and entertaining for the audience. Also, having the best people on the show inspires the young ones to take their performances to the next level.
I had just printed the programs an hour before the call. I put on this recital to allow people to present material that they have performed or will be performing in an audition or performance setting, whether that be WSMA, college, or as the lead in an upcoming musical.
I went by a verbal commitment – perhaps I should only count financial commitment (i.e., paying the recital fee) as valid. Going forward, if you don’t pay your recital fee by the Friday before the performance, you’re not on it. I committed to paying Ryan to play for 14 singers – he has practiced the music for 14 singers, and I’m still paying him what I committed to paying him. Even if it has to be out of my own pocket.
Sorry to cast a pall on the day – I will get over it because the remaining singers are committed and wonderful and the performance will be phenomenal!
Published by Mezzoid Voice Studio
Christine Thomas-O'Meally, a mezzo soprano and voice teacher currently based in the Baltimore-DC area, has performed everything from the motets of J.S. Bach to the melodies of Irving Berlin to the minimalism of Philip Glass.
As an opera singer and actress, she has appeared with companies such as Charm City Players, Spotlighters Theatre, Chicago Opera Theater, Opera Theater of Northern Virginia, Opera North, the Washington Savoyards, In Tandem Theatre, Windfall Theater, The Young Victorian Theater of Baltimore, and Skylight Opera Theatre. She created the role of The Woman in Red in Dominick Argento’s Dream of Valentino in its world premiere with the Washington Opera and Mary Pickersgill in O'er the Ramparts at its world premiere during the Bicentennial of Battle of Baltimore at the Community College of Baltimore County. Other roles include Mrs. Paroo in Music Man, Mother Abbess in Sound of Music, Dorabella in Cosi Fan Tutte, Marcellina in Le Nozze di Figaro, both Hansel and the Witch in Hansel & Gretel, and many roles in Gilbert & Sullivan operettas. Her performance as the Housekeeper in Man of La Mancha was honored with a WATCH award nomination.
Ms. Thomas-O'Meally received an M.M. in vocal performance from the Peabody Conservatory in Baltimore. She regularly attends master classes and workshops in both performance and vocal pedagogy, and is certified in all three Levels of Somatic Voicework™ The LoVetri Method. Her students have performed on national and international tours of Broadway productions, at prestigious conservatories, and in regional theater throughout the country.
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