Playing with Weekly Practice Forms

I’m exploring options for how to submit a record of your practice without having reams of paper to keep track of (I really hate paper). I’m hoping to do a Practice Challenge for fall, culminating in a prize to be given out before the holiday break (probably at the recital – date/place TBD). But how to keep track?

There’s Nancy Bos’ excellent practice journal, which many of you have (as do I), and I recommend it highly. But that means you’d either have to:

  1. Turn in your book to me, which means you wouldn’t have it to work with unless I gave it back to you right away, and then that’d mean I’d have to go write down what you did to keep track of things (paper!);
  2. Copy your sheets and give them to me (paper!);
  3. Copy them and scan them and email them to me (no paper, and convenient for me, less so for you).

In my searches, I found JotForm, a free platform to create fillable forms. I was trying to create a form that included entries for each day you practice. At first, I came up with a form that you could submit, but it only was one day at a time, and I figured that that would be hard to come up with (and trying to do a separate page for each day was NOT intuitive – then again, it’s a free platform).

So I came up with this form, which seemed much easier. It’s a variation on a form I created for my Milwaukee students about 7 years ago – I found it when I was cleaning out files. (I don’t even remember doing this, and I suspect that people didn’t comply, because, well…. paper!)

It doesn’t have everything that I want, and maybe I’ll figure out something later this summer, but for now, I think it’s going to work. You’re still going to need to keep something separate for yourself to keep a record of your daily practice (whether it’s Nancy Bos’ book or your own method), but give it a try!

 

Published by Mezzoid Voice Studio

Christine Thomas-O'Meally, a mezzo soprano and voice teacher currently based in the Baltimore-DC area, has performed everything from the motets of J.S. Bach to the melodies of Irving Berlin to the minimalism of Philip Glass. As an opera singer and actress, she has appeared with companies such as Charm City Players, Spotlighters Theatre, Chicago Opera Theater, Opera Theater of Northern Virginia, Opera North, the Washington Savoyards, In Tandem Theatre, Windfall Theater, The Young Victorian Theater of Baltimore, and Skylight Opera Theatre. She created the role of The Woman in Red in Dominick Argento’s Dream of Valentino in its world premiere with the Washington Opera and Mary Pickersgill in O'er the Ramparts at its world premiere during the Bicentennial of Battle of Baltimore at the Community College of Baltimore County. Other roles include Mrs. Paroo in Music Man, Mother Abbess in Sound of Music, Dorabella in Cosi Fan Tutte, Marcellina in Le Nozze di Figaro, both Hansel and the Witch in Hansel & Gretel, and many roles in Gilbert & Sullivan operettas. Her performance as the Housekeeper in Man of La Mancha was honored with a WATCH award nomination. Ms. Thomas-O'Meally received an M.M. in vocal performance from the Peabody Conservatory in Baltimore. She regularly attends master classes and workshops in both performance and vocal pedagogy, and is certified in all three Levels of Somatic Voicework™ The LoVetri Method. Her students have performed on national and international tours of Broadway productions, at prestigious conservatories, and in regional theater throughout the country.

What do you think?

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