[To Terry Gross on FRESH AIR]“When I’m standing in the wings, waiting to go on, I kind of plant my feet and feel a kind of strength coming up from the ground into me. And then I think about giving back this gift that I have been given. And when I do that, then I get out of ego so much. And then I don’t worry so much about what people think about how I sing or how I look. And I just try to sing more deeply and more personally. And I really enjoy that. I love singing. I do. I get rid of so much stuff by singing. It’s a wonderful thing to be able to do.”
Barbara Cook, 1927-2017
And here’s a recording of her at nearly 80 (picture below to the contrary). The voice stayed fresh (one may quibble about certain closed vowels sounding reedy, but my contention is that those vowels sounded reedy back in the 1950s and that’s a whole ‘nother thing).
She never learned to read music (to which I always say, “and why not?”), which makes her learning the role of Cunegonde in Candide even more mind-boggling. Her career stalled due to alcoholism and obesity, but she reinvented herself and gave back as both a performer and a clinician. I’ve always said I want to be Barbara Cook when I grow up. Maybe I still have a shot.
Christine Thomas-O'Meally, a mezzo soprano and voice teacher currently based in the Baltimore-DC area, has performed everything from the motets of J.S. Bach to the melodies of Irving Berlin to the minimalism of Philip Glass.
As an opera singer and actress, she has appeared with companies such as Charm City Players, Spotlighters Theatre, Chicago Opera Theater, Opera Theater of Northern Virginia, Opera North, the Washington Savoyards, In Tandem Theatre, Windfall Theater, The Young Victorian Theater of Baltimore, and Skylight Opera Theatre. She created the role of The Woman in Red in Dominick Argento’s Dream of Valentino in its world premiere with the Washington Opera and Mary Pickersgill in O'er the Ramparts at its world premiere during the Bicentennial of Battle of Baltimore at the Community College of Baltimore County. Other roles include Mrs. Paroo in Music Man, Mother Abbess in Sound of Music, Dorabella in Cosi Fan Tutte, Marcellina in Le Nozze di Figaro, both Hansel and the Witch in Hansel & Gretel, and many roles in Gilbert & Sullivan operettas. Her performance as the Housekeeper in Man of La Mancha was honored with a WATCH award nomination.
Ms. Thomas-O'Meally received an M.M. in vocal performance from the Peabody Conservatory in Baltimore. She regularly attends master classes and workshops in both performance and vocal pedagogy, and is certified in all three Levels of Somatic Voicework™ The LoVetri Method. Her students have performed on national and international tours of Broadway productions, at prestigious conservatories, and in regional theater throughout the country.
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