The nobility of PERFORMING

Last year I went to the NATS Chicago conference and bemoaned the fact that I had taken an unintentional hiatus from performing for nearly 10 years. Specifically, I posted on Facebook: Something that makes me a little sad is that, although my voice is still working just FINE, thankyouverymuch, I missed out on performance opportunitiesContinue reading “The nobility of PERFORMING”

Some reflections ( a year late) on NATS 2016

I am having the best summer. The weather is perfect, I’m teaching at home, I closed a show in May (Little Women, as both Marmee and director, debut for both), wrote and put on a cabaret show in less than 4 weeks after that, and am getting into the best physical shape I’ve been inContinue reading “Some reflections ( a year late) on NATS 2016”

Why I Write…. Or Not

It’s more likely why don’t I write these days….. When I was a little girl, I wrote all the time. Usually stories about people escaping from occupied countries in Europe. Sometimes I wrote song parodies, sitcom parodies, and I really loved writing book reports, reading and analyzing things and expressing my response to them. And thenContinue reading “Why I Write…. Or Not”

What good is sitting alone in your room? Go do a cabaret!

This past Friday night, I performed my first solo cabaret since moving here in 2013. I have done three joint cabaret shows: LoveSICK, with Dyana Neal, Steven Lampredi and Jim Knost, for Valentine’s Day 2016 and 2017, and an end of summer show in August 2014, but this was my first solo outing. In 2006,Continue reading “What good is sitting alone in your room? Go do a cabaret!”

What cabaret means to me

This weekend, I was part of a cabaret performance entitled LoveSICK at An Die Musik on Charles Street in Baltimore. The theme of the show was dysfunctional love songs – whether the songs were inherently dysfunctional or we just performed them with a twist (and believe me, some of them were quite twisted) – andContinue reading “What cabaret means to me”

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