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Tune Up and Tune In

(Yes, I forgot to write yesterday so this is a day late)

Do you anticipate returning to auditions/rehearsals for:

    • School?
    • Choir?
    • Community (or professional) theater?
    • College?

And you really haven’t done all that much over the past year of pandemic? Or even if you have, you feel like there’s more you can do?

Do you need a tune-up?

Or do you feel like you need to tune IN to your craft?

Because I can’t go more than a few weeks without planning something, I will be holding three back-to-whatever workshops/masterclasses the week before Labor Day. There will be no lessons that week, but there will be things happening. The tentative time slot will be 6-7:30pm EDT on each day.

I’m still in the process of figuring them out. I have someone lined up for the Wednesday slot, but we haven’t made it official. I have reached out to a nationally known conductor/performer/composer for the Thursday slot. I am planning to have Tuesday be a vocal boot camp of sorts featuring two other teachers and myself.

Cost is also still TBD. People can spring for all three days or individual days. Performing in the masterclass will, of course, be more expensive than just auditing.

In other words, more info to come – in the meantime, save the dates!

Bac

******
If you want to tune up and tune in, but want to do it one-on-one,
you can work with me! Taking new students for the
remainder of summer and for the 2021-2022 term.

Published by Mezzoid Voice Studio

Christine Thomas-O'Meally, a mezzo soprano and voice teacher currently based in the Baltimore-DC area, has performed everything from the motets of J.S. Bach to the melodies of Irving Berlin to the minimalism of Philip Glass. As an opera singer and actress, she has appeared with companies such as Charm City Players, Spotlighters Theatre, Chicago Opera Theater, Opera Theater of Northern Virginia, Opera North, the Washington Savoyards, In Tandem Theatre, Windfall Theater, The Young Victorian Theater of Baltimore, and Skylight Opera Theatre. She created the role of The Woman in Red in Dominick Argento’s Dream of Valentino in its world premiere with the Washington Opera and Mary Pickersgill in O'er the Ramparts at its world premiere during the Bicentennial of Battle of Baltimore at the Community College of Baltimore County. Other roles include Mrs. Paroo in Music Man, Mother Abbess in Sound of Music, Dorabella in Cosi Fan Tutte, Marcellina in Le Nozze di Figaro, both Hansel and the Witch in Hansel & Gretel, and many roles in Gilbert & Sullivan operettas. Her performance as the Housekeeper in Man of La Mancha was honored with a WATCH award nomination. Ms. Thomas-O'Meally received an M.M. in vocal performance from the Peabody Conservatory in Baltimore. She regularly attends master classes and workshops in both performance and vocal pedagogy, and is certified in all three Levels of Somatic Voicework™ The LoVetri Method. Her students have performed on national and international tours of Broadway productions, at prestigious conservatories, and in regional theater throughout the country.

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