World Voice Weekend Early Bird registration ends March 31!
I’ll admit it, after an initial flurry of signups, registration is going more slowly than I hoped. Which is baffling to me, because people have responded to this program as follows:
WOW, WHAT A LINEUP!!THIS IS AMAZING!
THIS IS SO VALUABLE!!
Unfortunately, I’m not hearing, “Take my money!” I have enough people to fill the masterclasses, but I know that there are more people that this program can serve.
I know that I have a great lineup and the offerings I have are both amazing and valuable. This is something I believe in and am passionate about offering. And I will continue to promote this. I may have to take a slightly different direction on a few things (still ruminating on those possibilities) but I believe in what World Voice Weekend has to offer its audience. An audience of voice users from pre-professional to professional, from student to teacher, from vocational to avocational.
If your concern is that you can’t make the whole weekend, you can watch the sessions you can’t make (except the masterclasses) for one week after the workshop. Even if you are registered for another workshop the same weekend, you can flip back and forth between both of them, and still watch them both on the replay.
The opportunity to see artists/clinicians of this level is unparalleled, especially for this price point. They’re worth every penny I’m paying them and every penny that you’ll pay me to pay them.
Final registration will close on April 12.
Don’t miss it.
Early Bird Registration through March 31: $225 with code EARLYBIRDWVW.
More info and registration links here.
Christine Thomas-O'Meally, a mezzo soprano and voice teacher currently based in the Baltimore-DC area, has performed everything from the motets of J.S. Bach to the melodies of Irving Berlin to the minimalism of Philip Glass.
As an opera singer and actress, she has appeared with companies such as Charm City Players, Spotlighters Theatre, Chicago Opera Theater, Opera Theater of Northern Virginia, Opera North, the Washington Savoyards, In Tandem Theatre, Windfall Theater, The Young Victorian Theater of Baltimore, and Skylight Opera Theatre. She created the role of The Woman in Red in Dominick Argento’s Dream of Valentino in its world premiere with the Washington Opera and Mary Pickersgill in O'er the Ramparts at its world premiere during the Bicentennial of Battle of Baltimore at the Community College of Baltimore County. Other roles include Mrs. Paroo in Music Man, Mother Abbess in Sound of Music, Dorabella in Cosi Fan Tutte, Marcellina in Le Nozze di Figaro, both Hansel and the Witch in Hansel & Gretel, and many roles in Gilbert & Sullivan operettas. Her performance as the Housekeeper in Man of La Mancha was honored with a WATCH award nomination.
Ms. Thomas-O'Meally received an M.M. in vocal performance from the Peabody Conservatory in Baltimore. She regularly attends master classes and workshops in both performance and vocal pedagogy, and is certified in all three Levels of Somatic Voicework™ The LoVetri Method. Her students have performed on national and international tours of Broadway productions, at prestigious conservatories, and in regional theater throughout the country.
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