I have so many songs….

In the musical A New Brain, the lead character of Gordon Schwinn is taken to the hospital after a seizure and is near death. His thoughts are of all the things has to do. In this early song in the show, as he is being examined, he sings:

All the songs I never wrote
Fizzle and remain
All the songs I did not start
All the rhymes I never made
All the stories I delayed in telling
Are welling up inside my brain
I should explain
I have so many songs!

I feel like this sometimes. I am full of ideas. I want to do workshops. I want to put on master classes, organize concerts, do so many things. And often, I do them. I’ve accomplished a lot of things. But I have more to do. I have tons of content created that is sitting in the cloud waiting for me to disperse it (what a great choice of words … dispersing from the cloud … like rain on a thirsty field…. ooh).

Seth Godin wrote a recent blogpost called “That’s a good idea.” His first line is “And then what happens?”

You have to take the next step. Does putting on a master class involve sending an email or <gulp> picking up a telephone to contact a person to host the event or to be your featured clinician?

And then what happens? What do you have to do next in order to make this happen? And then what happens after that? What is your next step?

In this particular case, when I say “you” I mean “I” or “me” and when I say “your” I mean “mine.” But this applies to us all when we’re planning a project. How many steps are involved? Do they have to be done in order? Do they have to be done perfectly or just done?

I’ve taken the first step and asked former student and Broadway actress Lissa DeGuzman to be a master clinician for an online master class I’m hosting on July 17. She’s accepted. This was a good idea. Now I need to take all the other steps so it’s not wasted.

What is your great idea?

And then what happens?

Tell us your stories. Tell us your songs. Don’t let them “fizzle and remain.” Get them out there. Take the steps.

 

Published by Mezzoid Voice Studio

Christine Thomas-O'Meally, a mezzo soprano and voice teacher currently based in the Baltimore-DC area, has performed everything from the motets of J.S. Bach to the melodies of Irving Berlin to the minimalism of Philip Glass. As an opera singer and actress, she has appeared with companies such as Charm City Players, Spotlighters Theatre, Chicago Opera Theater, Opera Theater of Northern Virginia, Opera North, the Washington Savoyards, In Tandem Theatre, Windfall Theater, The Young Victorian Theater of Baltimore, and Skylight Opera Theatre. She created the role of The Woman in Red in Dominick Argento’s Dream of Valentino in its world premiere with the Washington Opera and Mary Pickersgill in O'er the Ramparts at its world premiere during the Bicentennial of Battle of Baltimore at the Community College of Baltimore County. Other roles include Mrs. Paroo in Music Man, Mother Abbess in Sound of Music, Dorabella in Cosi Fan Tutte, Marcellina in Le Nozze di Figaro, both Hansel and the Witch in Hansel & Gretel, and many roles in Gilbert & Sullivan operettas. Her performance as the Housekeeper in Man of La Mancha was honored with a WATCH award nomination. Ms. Thomas-O'Meally received an M.M. in vocal performance from the Peabody Conservatory in Baltimore. She regularly attends master classes and workshops in both performance and vocal pedagogy, and is certified in all three Levels of Somatic Voicework™ The LoVetri Method. Her students have performed on national and international tours of Broadway productions, at prestigious conservatories, and in regional theater throughout the country.

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