“You are here not to laugh; but to learn”

This Friday, I’ll be holding Listening Party #4, which will focus on the musical Bat Boy The Musical by Laurence O’Keefe. You may know Laurence O’Keefe from Legally Blonde The Musical and Heathers The Musical. The latter two of which are based on movies of the same name, and, consequently, are pretty commercial.

(What is up with shows post-1995 having “The Musical” after them? Would we not know they’re musicals as soon as people start singing? And yes, I’m watching the Jerry Seinfeld special on Netflix while I write this.)

Bat Boy, on the other hand, is a 2001 off-Broadway rock musical based on the now-defunct tabloid Weekly World News 1992 cover story about a fictional creature found in a cave who is half-bat, half-boy.

Bat Boy.PNG

Yep. It’s a musical about a mutant. I don’t know Heathers  (yet). From what I’ve heard of it, I think Bat Boy is more like it than Legally Blonde.

I’ve only seen one production of Bat Boy, as part of the 2005 summer theater program at Divine Savior Holy Angels HS in Milwaukee.

DSHA was a curious choice for a show like this. It’s an all-girls, relatively-conservative Catholic school. But they did a pretty good job with it. I enjoyed it immensely (in part because I had two students in the leads). And I love the cast recording

What does it say about me that I like musicals like this? Let’s look at our listening parties so far.

  1. Sweeney – barber kills people, landlady makes them into pies
  2. Ragtime – well, that’s relatively traditional, but still pretty intense
  3. Assassins – presidential assassins
  4. Bat Boy – see above.

This will be at 5pm instead of 3pm. I’m using the same PMI as for my lessons. If you don’t know what that is, message me.

As always, admission is free but donations will be accepted for the American Visionary Arts Museum (my favorite place in Baltimore).

I’m excited to introduce this show to people. It’s really weird. The music and lyrics are just terrific. But you might feel the need to take a shower afterwards.

Published by Mezzoid Voice Studio

Christine Thomas-O'Meally, a mezzo soprano and voice teacher currently based in the Baltimore-DC area, has performed everything from the motets of J.S. Bach to the melodies of Irving Berlin to the minimalism of Philip Glass. As an opera singer and actress, she has appeared with companies such as Charm City Players, Spotlighters Theatre, Chicago Opera Theater, Opera Theater of Northern Virginia, Opera North, the Washington Savoyards, In Tandem Theatre, Windfall Theater, The Young Victorian Theater of Baltimore, and Skylight Opera Theatre. She created the role of The Woman in Red in Dominick Argento’s Dream of Valentino in its world premiere with the Washington Opera and Mary Pickersgill in O'er the Ramparts at its world premiere during the Bicentennial of Battle of Baltimore at the Community College of Baltimore County. Other roles include Mrs. Paroo in Music Man, Mother Abbess in Sound of Music, Dorabella in Cosi Fan Tutte, Marcellina in Le Nozze di Figaro, both Hansel and the Witch in Hansel & Gretel, and many roles in Gilbert & Sullivan operettas. Her performance as the Housekeeper in Man of La Mancha was honored with a WATCH award nomination. Ms. Thomas-O'Meally received an M.M. in vocal performance from the Peabody Conservatory in Baltimore. She regularly attends master classes and workshops in both performance and vocal pedagogy, and is certified in all three Levels of Somatic Voicework™ The LoVetri Method. Her students have performed on national and international tours of Broadway productions, at prestigious conservatories, and in regional theater throughout the country.

What do you think?