From the twitter feed of Xstrology (online astrologer):
Gemini will pretend that they don’t care at the times they are most vulnerable.
I’m a Gemini. I’m the quintessential Gemini – I talk a lot, I’m constantly doing 6 million and 12 things at once, I love change, I’m versatile – and on the downside, I find it difficult to stick to one thing at a time, I’m often indecisive, and sometimes I give the impression of being somewhat shallow.
And I often – too often – pretend that I don’t care at the times I am most vulnerable.
In my personal life, this can result in my making jokes at inopportune times – I recall going to an emergency room for unexplained abdominal pain and making stupid jokes so that I wouldn’t show that I was terrified. Consequently, the doctor didn’t take me very seriously and thought I was wasting her time.
When my feelings are hurt or if I’m angry or frustrated, it’s very easy for me to cry. But if I cry, then people might be uncomfortable or think I’m overreacting – so I make jokes or laugh. My husband says that he can always tell when I’m about to cry, because I start smiling really broadly. My speech becomes choppy and my movements a bit more abrupt.
And if I’m in a relationship that is coming to an end – whether it be romantic or a friendship – my defense is to become flippant, to become somewhat distant, and sometimes, I’m afraid, to be a little mean. As though I were saying, “Yeah, well, you didn’t mean anything to me either, so go already. I won’t miss you.”
And in performing, specifically auditioning – for, after all, this blog is supposed to be about singing – I have found that I have occasionally done the same thing, especially with companies for whom I’ve auditioned in the past but who have not hired me, for whatever misguided reason. I don’t get mean, per se, but I give off the attitude of, “Whatever. I don’t really care. It’s not like you’re going to hire me anyway.”
Consequently, my audition is unengaged and unengaging. And just like driving away someone I cared about because I was afraid of being rejected and thereby bringing the relationship to the end I expected, I fulfill the expectation that, in fact, they’re not going to hire me.
What I need to do – and what all of us, as performers, need to do – is to stop making the audition about myself and about getting the gig. I need to make it about giving a performance that is genuine and authentic. It may or may not get me hired, but I have no control over that. I can control my performance, I can control how I relate to people, I can control my preparation.
As I mentioned in my blogpost on vulnerability and oversharing, vulnerability is “the core of shame and fear and our struggle for worthiness, but it appears that it’s also the birthplace of joy, of creativity, of belonging, [and] of love.” (Dr. Brené Brown)
Yes, allowing yourself to be vulnerable and then not hired (or dumped) can bring about the feelings of shame and fear and unworthiness, but being open to the possibilities and presenting yourself as open and genuine and accepting might just allow you to find that joy, that creativity, possibly belonging, and hopefully love. However you define love.
Which is a whole ‘nother topic altogether.