Dream big and work backwards

At the NATS conference last month, I attended a session on “Training Music Majors for a 21st Century ‘Mosaic Career.'” The point of it was to prepare young singers for a career that is not either elite performer or academic, but being involved in a little bit of everything. It was geared toward the college teacher, but there was a lot of information in it that I thought was really helpful for anyone who is looking to identify what it is they do and how to get the word out there that you’re doing it.

It had a lot to do with branding and marketing, and one of the things that they talked about was the title of this blog:

Dream Big and Work Backwards

So what’s your big dream? Why do you want it? What are the steps to get there?

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To find out about Lissa deGuzman’s dream and how she manifested it in her career, don’t forget to register for Friday’s masterclass – there are still some spots available!

Published by Mezzoid Voice Studio

Christine Thomas-O'Meally, a mezzo soprano and voice teacher currently based in the Baltimore-DC area, has performed everything from the motets of J.S. Bach to the melodies of Irving Berlin to the minimalism of Philip Glass. As an opera singer and actress, she has appeared with companies such as Charm City Players, Spotlighters Theatre, Chicago Opera Theater, Opera Theater of Northern Virginia, Opera North, the Washington Savoyards, In Tandem Theatre, Windfall Theater, The Young Victorian Theater of Baltimore, and Skylight Opera Theatre. She created the role of The Woman in Red in Dominick Argento’s Dream of Valentino in its world premiere with the Washington Opera and Mary Pickersgill in O'er the Ramparts at its world premiere during the Bicentennial of Battle of Baltimore at the Community College of Baltimore County. Other roles include Mrs. Paroo in Music Man, Mother Abbess in Sound of Music, Dorabella in Cosi Fan Tutte, Marcellina in Le Nozze di Figaro, both Hansel and the Witch in Hansel & Gretel, and many roles in Gilbert & Sullivan operettas. Her performance as the Housekeeper in Man of La Mancha was honored with a WATCH award nomination. Ms. Thomas-O'Meally received an M.M. in vocal performance from the Peabody Conservatory in Baltimore. She regularly attends master classes and workshops in both performance and vocal pedagogy, and is certified in all three Levels of Somatic Voicework™ The LoVetri Method. Her students have performed on national and international tours of Broadway productions, at prestigious conservatories, and in regional theater throughout the country.

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