Appcompanist for Android is AVAILABLE!

From my friend, fellow voice teacher and music director/studio pianist Michael Tan, on the studio FB page this morning:

FYI: The free prerelease version of Appcompanist for Android is now live on the Google Play Store! (Just search Appcompanist) [The rest is Appcompanist’s blurb]

The free prerelease version includes access to all 550+ Vocal Exercises and 50 Sample Songs chosen by NATS from their list of most auditioned repertoire (all found in Playlists). The purpose of this prerelease version is to at least rush something into the hands of teachers and singers who have been forced to transition to online lessons, distance learning, and practice in isolation. As a prerelease version, you may experience some instability and technical issues, but our testing has found it to work well enough to be a help at this time. We would appreciate it if you would report any bugs or problems you encounter to info@appcompanist.com so we can work those fixes it into our ongoing development. We are working hard to make the subscription version with the full library of 5,000+ titles available by May.

Please feel free to visit our website www.appcompanist.com for information and helpful tutorial videos to make the most of this great learning and rehearsal tool. Keep in mind, however, that not all of the features highlighted in the videos from the Apple version will be immediately available in Android. We will keep working to get every great feature into the hands of our Android users as soon as possible.

If you choose not to keep Appcompanist, you will still have access to the vocalises. I took the liberty of going through the vocalises curated by them and writing them out, so that you’ll know what to do with them, and am attaching them here: Accompanist_Vocalises.

Some of these are vocalises we do in the studio. Others are new and I might be adding them to the rotation and will introduce them in online lessons in the coming weeks (hopefully not months). I have included suggested vowels/syllables and have written out based on where I probably would start them in your lesson and have included a couple of them going down (mostly).

The vocalises on the app default to C major and go up. You can change that. I prefer to start in E or Eb (for the most part) and go down, and then return to the original note and go up. I’ll make a video of myself doing that, as well as other fancy things you can do in Appcompanist, and post it later.

At the very least, this will allow you to have some vocalises that you can use, in addition to the ones I have posted for my private students on the website (the portal access is being worked on by my webmaster as we speak).

Published by Mezzoid Voice Studio

Christine Thomas-O'Meally, a mezzo soprano and voice teacher currently based in the Baltimore-DC area, has performed everything from the motets of J.S. Bach to the melodies of Irving Berlin to the minimalism of Philip Glass. As an opera singer and actress, she has appeared with companies such as Charm City Players, Spotlighters Theatre, Chicago Opera Theater, Opera Theater of Northern Virginia, Opera North, the Washington Savoyards, In Tandem Theatre, Windfall Theater, The Young Victorian Theater of Baltimore, and Skylight Opera Theatre. She created the role of The Woman in Red in Dominick Argento’s Dream of Valentino in its world premiere with the Washington Opera and Mary Pickersgill in O'er the Ramparts at its world premiere during the Bicentennial of Battle of Baltimore at the Community College of Baltimore County. Other roles include Mrs. Paroo in Music Man, Mother Abbess in Sound of Music, Dorabella in Cosi Fan Tutte, Marcellina in Le Nozze di Figaro, both Hansel and the Witch in Hansel & Gretel, and many roles in Gilbert & Sullivan operettas. Her performance as the Housekeeper in Man of La Mancha was honored with a WATCH award nomination. Ms. Thomas-O'Meally received an M.M. in vocal performance from the Peabody Conservatory in Baltimore. She regularly attends master classes and workshops in both performance and vocal pedagogy, and is certified in all three Levels of Somatic Voicework™ The LoVetri Method. Her students have performed on national and international tours of Broadway productions, at prestigious conservatories, and in regional theater throughout the country.

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