If you’re going to make a mistake, make a BIG one

I read a blogpost the other day by a musician and psychologist named Noa Kageyama (aka “The Bulletproof Musician”) about the idea that making deliberate mistakes can teach you a lot. Kageyama’s focus, generally, is on being very deliberate and mindful in your practice. So I was doing some thinking when I posted this on my studio FB page:

What would happen if…

You did that wrong again, but make it really wrong, on purpose?
You gave yourself permission to do it wrong? Would you do it wrong?

While “practice makes perfect” is less true than “practice makes permanent,” being mindful and making deliberate choices is much better than being on autopilot.

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What would happen if you:

  1. Sang a note deliberately flat?
  2. Sang a note deliberately sharp?
  3. Sang the wrong rhythm – on purpose?
  4. Sang the wrong interval – on purpose?
How would it feel in your body to sing flat/sharp/just plain wrong? And how does it feel when you do it right?
You have to know what WRONG is so you can find RIGHT. If you’re going to make a mistake, make it big and make it deliberate so you can figure out just what wrong is and what is wrong.

Experiment with this – if you have a phrase where you are always flat, sing it REALLY flat on purpose. What’s going on? Is your tongue in a weird place? Is the registration off? Your balance breath pressure less than optimal (or if sharp, more than optimal)? How can you adjust these things in your own body? 

What would happen – if?

Published by Mezzoid Voice Studio

Christine Thomas-O'Meally, a mezzo soprano and voice teacher currently based in the Baltimore-DC area, has performed everything from the motets of J.S. Bach to the melodies of Irving Berlin to the minimalism of Philip Glass. As an opera singer and actress, she has appeared with companies such as Charm City Players, Spotlighters Theatre, Chicago Opera Theater, Opera Theater of Northern Virginia, Opera North, the Washington Savoyards, In Tandem Theatre, Windfall Theater, The Young Victorian Theater of Baltimore, and Skylight Opera Theatre. She created the role of The Woman in Red in Dominick Argento’s Dream of Valentino in its world premiere with the Washington Opera and Mary Pickersgill in O'er the Ramparts at its world premiere during the Bicentennial of Battle of Baltimore at the Community College of Baltimore County. Other roles include Mrs. Paroo in Music Man, Mother Abbess in Sound of Music, Dorabella in Cosi Fan Tutte, Marcellina in Le Nozze di Figaro, both Hansel and the Witch in Hansel & Gretel, and many roles in Gilbert & Sullivan operettas. Her performance as the Housekeeper in Man of La Mancha was honored with a WATCH award nomination. Ms. Thomas-O'Meally received an M.M. in vocal performance from the Peabody Conservatory in Baltimore. She regularly attends master classes and workshops in both performance and vocal pedagogy, and is certified in all three Levels of Somatic Voicework™ The LoVetri Method. Her students have performed on national and international tours of Broadway productions, at prestigious conservatories, and in regional theater throughout the country.

What do you think?